Tag: Summer 2017

Summer 2017 First Impressions – Battle Girl High School

Post author By Jessi Silver
Post date August 13, 2017
1 Comment on Summer 2017 First Impressions – Battle Girl High School

In the year 2045, the world has been contaminated by Irōsu (mysterious invaders who suddenly appeared), and humans find themselves restricted and contained. Standing boldly against these invaders are ordinary girls everywhere, without a powerful army or even weapons. The Shinjugamine Girls Academy is a school for these “Hoshimori” (Star Guardians) destined to fight the Irōsu. – ANN

Streaming: HIDIVE

Episodes: TBA

Source: Mobile Game

Episode 1 Summary: Miki and her classmates at Shinjugamine Academy are trainees in the fight against the Irosu, alien invaders who arrived mysteriously, appear randomly (signaled only by a miasma that precedes their arrival) and who keep humanity contained and frightened. The girls lead typical lives, but are called up on when needed to invoke the powers given to them to fight and win against the Irosu. Unfortunately as of late, the classmates have been having trouble working harmoniously and seem to be phoning it in a bit. Not knowing just where or when an attack might occur, this makes the individuals running the program a bit nervous. The girls are ordered to undergo another round of training; it’s here that they’re surprised by an injection of new blood – a new member named Misaki.

Impressions: There was a time when I’d be immediately wary of an anime with a cast larger than about four or five main characters, but I’ve been proven wrong too many times to default to that position. Shirobako introduced an entire company full of animators, producers, and staff members while they sat around a table eating; by the end of that episode I definitely didn’t know many of their names, but the show never really suffered for its truthfulness about how much manpower goes into creating an anime. The Lost Village‘s internet-influenced bus full of misfits worked around its large cast size by giving each character a chance to prove how distinctly misanthropic or mentally-ill they all were, to (in my opinion) successful ends. So I’m no longer immediately put off by a cast of thousands, as even shorter anime series have proven themselves capable of using large groups for productive means.

The second round of training begins. Copyright 2017 (c) Silver Link

This show introduces a number of characters during a chaotic battle in the first half of this episode. Each character gets a snappy line of dialog and the nature of voice-acting being what it is, that’s generally enough to leave a small impression on the viewer of the person’s basic personality. Whereas other series have counteracted the disorientation of these sorts of madcap intros by providing something else to grab onto, say an unusual plot element or interesting variation in tone, this one ends having not left much of an impression.

There are some vague references within the character dialog to the forever-looming threat of the Irosu, this anime’s malevolent foreign invader antagonists. Though not particularly creative, the idea itself is perfectly serviceable as something to challenge our heroes and serve as an ultimate goal. The issue is that throughout the first episode, several references are made to how poorly the characters are working together and how their power as a group is unfocused and lacking, and yet there’s not any situation where the beasts with which they’re engaged are shown to pose any kind of mortal threat to the characters. There’s not element of danger or any indication that any of the characters might lose out or become injured, and so it’s really difficult to stay engaged. I found my mind wandering over and over again as I resisted the urge to check Facebook or get up for a snack, and this was all while characters were in battle – ostensibly the most dynamic parts of the episode. it’s a bit maddening just how dull the experience is.

f*f – Idols and heroines. Copyright 2017 (c) Silver Link

This show also seems to be an awkward genre mashup, as at least a few of the heroines appear to moonlight as idol singers, and the franchise’s Wikipedia entry seems to make reference to several different (internal?) idol groups and songs. This isn’t bad in itself, but I have to confess I’ve never really been a fan of idols or idol culture so the fact that that aspect seems shoehorned into this action series doesn’t really appeal to me personally. It also has the distinct air of trying too hard to appeal to too many different demographics at once which is almost always a poor choice; of many of the anime series I like the best, one commonality between them seems to be that the creators aimed to appeal to a certain fan group, made a product that has high quality attributes (story, animation, characterization, theme, etc.), and ultimately broadened the appeal in that way. From Yuri!!! On Ice to Puella Magi Madoka Magica, to Haikyu!, this has proven to be true. So I can’t really buy when a series seems to haphazardly take shots in several directions without hitting a target.

There’s an odd bit of pandering in this episode that I feel is worth mentioning as it didn’t land very well with me. For whatever reason, I’ve noticed over the last five or so years that the amount of low-grade yuri content in otaku anime seems to have seen an uptick. Shows like Sakura Trick and Yuruyuri make very mild plays at same-sex female relationships, not really to advocate for those relationships, but to provide them as another option for fetishization in shows aimed primarily towards male otaku viewers. It doesn’t necessarily mean that the shows are without other merit, or might not also have appeal to people who identify with those relationships, but I don’t think their use is meant to be enlightened or representative of ally-ship. The two overt idol characters, Kanon and Shiho, are introduced as kind of an “are they or aren’t they…?” couple in this episode, and some romantic aspect to their relationship is implied over the phone. Not only does this feel forced in a show that’s already got too much going on, there’s literally no other reason one would care about the characters at this point so it feels as though someone, somewhere is just checking off of a list.

Friends, companions, or… lovers? Copyright 2017 (c) Silver Link

Needless to say, this isn’t really a standout entry in the season, and there’s not much reason to recommend it over other, better-produced game-based anime like Touken Ranbu or some past examples like the Rage of Bahamut series. It’s probably more interesting if you’re a fan of idols or have some interest in the voice actors providing the dialog (of which there are many, considering the size of the cast). Add to that the fact that this is a HIDIVE exclusive, which makes it prohibitive to check out if your budget only affords one or two of the big streaming services, and this makes Battle Girls High School pretty skippable.

Pros: It’s a mostly inoffensive first episode.

Cons: Attempts to flesh-out characters feel forced, the antagonists don’t seem to pose a real threat, and the mix of genres is scattershot.

Grade: D+

Tags Action, First Impression, HIDIVE, Magical Girl, Summer 2017

First Impressions Reviews

Summer 2017 First Impressions – Princess Principal

Post author By Jessi Silver
Post date August 7, 2017
No Comments on Summer 2017 First Impressions – Princess Principal

Five girls live in 19th century London, a city within the Albion Kingdom divided into east and west by a large wall. The girls serve as undercover spies enrolled as students at the prestigious Queen’s Mayfair school. The girls make use of their individual abilities to remain active in the underground world of disguise, espionage, infiltration, and car chases. – ANN

Streaming: Amazon Anime Strike

Episodes: TBA

Source: Original

Episode 1 Summary: A new path for history was set in motion when the strange element “cavorite” was discovered. Cavorite allowed the kingdom of Albion to create an air fleet that was unmatched in the world, but this imbalance of power tore Europe apart. Albion was split into East and West by a huge wall encircling London, and now, as in any divided country, spy networks crisscross from one side to the other trying to get the upper hand for their side.

Five young women attending Queen’s Mayfair school moonlight as spies, their current job involving helping a scientist defect so that he can get the money to help his younger sister, who is suffering from cavorite poisoning. But the scientist’s goals are muddied by who he’s actually working for, and it isn’t long before the girls discover that the ultimate goal is to draw them out from their hiding place.

Impressions: Anime is a medium that’s tackled a lot of genres and sub-genres over the years, but despite the popularity of steampunk within geek culture over the last decade or so, there haven’t been very many anime that have taken advantage of that. Steamboy is probably the most obvious one, and perhaps Last Exile as well, though that one has a slightly different feel. But for the most part it’s kind of an untapped market for anime. That’s why I was pleased to see a series like this that seems to be all-in as far as the steampunk aesthetic goes. Princess Principal seems to not only be concerned with what type of technological achievements might have been made had the world made a giant leap in discovery around the late 1800’s, but also the effects on class in society as a result.

‘Tis a very fancy school. Copyright 2017 (c) Actas/Studio 3Hz

The first episode takes place in the city of London an its surroundings some years after its eponymous battle that’s referenced several times throughout the episode (and which seems to play a large part in at least one of the main characters’ backstories). Many of the scenes occur within the elite private school the girls attend which serves as a cover for their nightly activities, and portrays the kind of upper-class Victorianesque setting one might expect in a steampunk-focused piece. With its emphasis on aesthetics, we get the expected steam-powered inventions, English gentility, and costume-like variations upon period clothing that make the genre fun to play around in. What we also see, though, are the bits and pieces of London buried beneath the thick smog, in the gutters of the city where the lower classes dwell. There are scenes of the poor clustered in an infirmary waiting room, and homeless people lining the streets. The discovery of cavorite, and likely the war that went along with it, definitely made some people wealthy, but there are clearly many who weren’t lucky enough to share in that prosperity.

The first episode doesn’t really take a stance on any of this beyond allowing the audience to see how things are; it’s clearly used as a means to demonstrate how stratified the world is. It does give us some perspective in that at least one of the girls now working as a spy was lucky enough to escape this kind of poverty (having been orphaned) and find a way to some kind of financial means (even if the work she and her compatriots are hired to do isn’t particularly savory). Anime has a tendency to “tell” rather than to “show,” so despite the fact that these visual interjections were pretty obvious, it’s nice to get a little bit of background on the world without an “as you know…” info-dump up front.

Ange keeps watch on their target from on high. Copyright 2017 (c) Actas/Studio 3Hz

In addition to its portrayal of the people populating its alternate-history milieu, the show’s background art is striking and detailed, providing a lovely backdrop for the well-executed action in this episode. There’s an incredible amount of care in the depiction of the lush plants in the Queen’s Mayfair gardens, as well as in the brownish grit and grime of the city streets below the all-encompassing fog. There’s just enough of a sepia-tone to give the whole thing a classic feel to go along with its old-timey vehicles and other less tangible period style. It’s definitely not a universal constant, but I find that, often, when different pieces of the whole are given a lot of attention and care separately, the final product tends to reflect that extra energy and planning in its overall quality. Obviously nothing is certain from one episode, but I was truly impressed by how this show made its visual impression.

I did a panel at an anime convention a year or two ago that was a discussion of moé tropes and how employing them in character creation isn’t necessarily a mark of laziness on the part of a creator, but instead can be a shortcut to get the audience up to speed quickly, with character detail and development to follow as required by the story. Some examples of this technique used well are Puella Magi Madoka Magica, or perhaps a slightly better comparison to this show, Sound of the Sky. In both of these shows, we’re fooled into thinking that the characters, being who they are and marked by their moé characteristics, will have a particular, predictable story arc. In both cases the characters have much more depth than might be obvious at first glance, and as details are added to their personas, we learn more about the world they inhabit. I think many of us are still wary when the cast of an anime looks like “a bunch of girls each with her unique one-note personality,” and that was my knee-jerk reaction to this show. Ange, who we spend some time with in this episode, feels like a typical “emotionless girl with a tragic past” that is meant to appeal to a certain type of fan, and there are a couple of other obvious character types within the group of characters we don’t know very well yet. But I get the impression that we’ll learn more about these characters as we go, and I’m interested to see that happen. And hey, if we don’t end up with richer portraits of our protagonists as we go, perhaps at the very least we might end up with something like Joker Game, which oozed style despite not sharing any pertinent details about the cast; I can dig a show about cool people doing cool things.

It’s not surprising to me that this show, which wasn’t really on my radar, seems much more promising than I would have thought; that’s something that happens every season. Though I might have some slight misgivings about the show’s ability to keep up the standard of this opening episode, I’m impressed enough by the type of story it told and the environment it portrayed that I think it’s definitely worth a second look.

Pros: Lots of visual style and a cool alternate history premise. Depicts class differences in a steampunk setting.

Cons: Difficult to tell if the somewhat-generic characters will develop as we go. The visuals may not be able to maintain quality going forward.

Grade: B+

Tags Action, Anime Strike, Drama, First Impression, Steampunk, Summer 2017

First Impressions Reviews

Summer 2017 First Impressions – Dive!!

Post author By Jessi Silver
Post date August 5, 2017
No Comments on Summer 2017 First Impressions – Dive!!

Since he was a young boy, Tomoki Sakai has been in love with the sport of diving. After years of practice and stalwart determination, there’s no place where he feels more at home than in those brief seconds of flight before he’s submerged into the water. Unfortunately, he and the other boys of the Muzuki Diving Club (MDC) aren’t doing enough to please their sponsors, and the club is on the verge of being disbanded. Enter coach Kayoko Asaki, a fiery woman who is determined to pull the boys of the MDC back from the brink. Her mission: get the MDC to the Tokyo Olympics in one year’s time. Tomoki and his friends have a long road ahead of them as they begin their fight to fulfill their dreams. – ANN

Streaming: Amazon Anime Strike

Episodes: 11

Source: Novel

Episode 1 Summary: As a youngster, Tomoki Sakai had a chance meeting that changed his life forever. He caught a glimpse of Yoichi Fujitani flying through the air as he dove into a pool below. It was then that Tomoki fell in love with diving. Tomoki’s road to being a competent diver was fraught with challenges, including his fear of opening his eyes before hitting the water, but having Yoichi as an inspiration (and occasional teacher and mentor) has helped give him the confidence to keep going. Tomoki’s personal life, however, isn’t quite so successful; though he accepted a request to go out from a girl named Miyu, he’s unenthusiastic about the relationship and would rather spend his time worrying about his sport. When rumors start going around about the closing of the Mizuki Diving Club, Tomoki’s place of training and home-away-from-home, all the members of the club are understandably stressed. In reality, the arrival of new coach Kayoko Asaki marks the beginning of a new, ambitious goal for MDC; get the club members to the Tokyo Olympics in one year’s time. But is this a goal that’s within the team’s grasp?

Impressions: Amazon seems to have a pretty firm grasp on many of the anime that piqued my interest this season, and Dive!! is no exception. As a part of Fuji TV’s long-running noitaminA anime programming block, it’s also part of Amazon’s current exclusivity deal. Years ago I was quite the noitaminA devotee, having been attracted to its penchant for broadcasting anime aimed at an older (and often female) audience. In more recent years its reputation has become more spotty, but at the very least I can still say that most of noitaminA’s programming is somewhat off the beaten path.

Yoichi demonstrates his skill. Copyright 2017 (c) Zero-G

This series will obviously invite many comparisons with Free! due to its similar title stylization and penchant for portraying young men in Speedo swimsuits. It’s also a sports series that seems to deal more in character dynamics and emotions, which was one of Free!’s strengths as an anime. Whereas KyoAni’s famous outing made a name for itself by combining sports action, character development, and great animation, not to mention fanservice aimed at individuals attracted to the male body, this series is, thus far, much more subdued in tone and execution. Whereas the episode ends with the introduction of a huge goal – get to the world stage by qualifying for the Tokyo Olympics – it spends much of the rest of the run time telling a much quieter, more contained tale of one young man’s internal conflict between what he feels he should like – having a girlfriend and spending time with his friends at school – and what he feels compelled to do – achieving even greater heights (literally!) in the sport he’s come to love. This fits in well with noitaminA’s catalog, which contains a lot of anime series that speak to the realities of human existence in ways both large and small within almost every sort of genre context. Despite Tomoki’s status as “yet another teenage male anime protagonist,” I actually felt like his struggles were relateable, because they’re also much bigger than high school. Many of us find ourselves pulled in multiple directions, and part of life is learning to balance our wants and needs in order to create a satisfying existence.

One moment that really pierced through some of my misgivings was the flashback to Tomoki’s one-on-one mentorship with Yoichi, the one time Yoichi seemed to find the time and inspiration to give direct instruction. Tomoki is told that he needs to keep his eyes open, to see where he’s going and orient himself to the water (this is after failing several times to enter the water cleanly from his dives and looking like a doofus). There’s an element of technical instruction to this advice, of course, but there’s also a broader message within it about facing challenges head-on with open eyes. One thing I was always told as a child when playing catch or tossing a Frisbee, was that I needed to keep my eyes open and not shy away from the object flying quickly and painfully towards my face. Practically, there’s a better chance you’ll catch the ball (or enter the water better) if you’re watching what you’re doing. There’s also a much higher chance of achieving success in life if you handle challenges head-on with as much knowledge as you’re able to gather. As someone with anxiety, this is a challenge that I have to face every day, and sometimes what essentially amounts to large-scale self-imposed exposure therapy is a terrifying proposition (and not one that works for me all the time or would work for anyone/everyone else regularly, either), but I find myself better able to cope now that I’ve at least made an attempt to face my fears. I was surprised to find myself relating to the show on this level so quickly.

Tomoki isn’t sure about his feelings for Miyu. Copyright 2017 (c) Zero-G

The unfortunate thing is that this isn’t a great looking show. This tends to be the case with a lot of noitaminA series, at least in my experience. They’re caught in a space where they’re meant to appeal to a more mainstream audience, but that means that there’s not really a built-in guarantee of financial success like there might be for a show related to a big-selling game, book, or manga property. I suspect that makes it less attractive to animators in some way, or there’s not as much energy and time devoted to scheduling and planning something that’s slick and produced in a way that’s meant to “wow” people. While the promo art might give the impression of shiny male abs and sports action, there’s ultimately not a lot of focus on that element. There aren’t high detail shots of abs or bodies in motion (there we go, comparing it to Free! again), but again I feel like that’s not really the point here. I do think that viewers might expect that kind of thing from this series, though, and if that’s the case there’s bound to be some disappointment.

There’s also a little bit of juvenile humor in this episode that feels really out of place considering how subdued the tone is. One of Tomoki’s friends at the MDC can’t seem to get over the fact that a beautiful woman has come to visit their coach, and there’s a much-longer-than-necessary scene in which this character melts down over the fact of the woman’s curvaceous body and his default assumption that their coach must be having an affair with her. It’s the episode’s one real attempt at being silly or funny, and beyond being generally out of place it’s also pretty crass and doesn’t add anything to the episode. I maintain that teenage boys aren’t nearly as stupid as anime makes them out to be.

Though there are a few missteps, I’m actually, surprisingly still interested in this series despite how it went against a lot of my initial expectations (or possibly because of it). I think it runs the possibility of being a little generic, and with only 11 episodes it doesn’t have much time to bring all the characters where they need to go, but I like that it seems very self-contained and doesn’t seem concerned with being bombastic and intense like a lot of other sports anime. This might be a show worth spending a little time with.

Pros: Seems to have a pretty deep message about facing anxiety and balancing the various elements of one’s life. The tone is pretty subdued.

Cons: The production values are lacking somewhat. There’s some juvenile humor that falls flat.

Grade: B-

Tags Action, Anime Strike, First Impression, Shounen, Sports, Summer 2017

First Impressions Reviews

Summer 2017 First Impressions – Gamers!

Post author By Jessi Silver
Post date August 5, 2017
1 Comment on Summer 2017 First Impressions – Gamers!

Keita Amano is a lonely young man who loves video games; Karen Tendō is the beautiful president of the video game club; Chiaki Hoshinomori constantly fights with Keita; and Tasuku Uehara puts on a facade of being satisfied with his life in the real world, but he in truth loves video games. – ANN

Streaming: Crunchyroll

Episodes: 12

Source: Light Novel

Episode 1 Summary: Keita Amano’s high school life is lacking in the things that make fun – he’s got no friends and he doesn’t belong to any clubs. He goes home everyday and spends his evenings playing video games. While perusing new titles in the game shop he’s approached by Karen Tendou, his schools’ most beautiful, smart, and popular student. She invites him to join the newly-reestablished game club she’s put together at their school, and she’s extremely passionate about it. All the current members are experts at the various types of games that they play, and they all seem to have much larger reasons for playing them than “they’re just fun to play.” Keita starts to feel like the odd one out, since he just likes to play video games for his own enjoyment. When Karen asks him to join the club officially, he declines in spite of multiple reasons why he knows the experience will be good for him. Though, to Karen, this feels like the ultimate rejection, it’s likely that this isn’t the last word in the matter.

Impressions: Most people have hobbies, and I think for many, their hobbies are a type of escapism. I don’t sit down and knit a scarf because I need another scarf to wear; I knit the scarf because I like the experience of choosing the right yarn, of feeling it running through my fingers with each stitch, and of watching the rhythmic loops upon loops of fiber expand into a finished project. I can knit while watching television or just enjoying the quiet somewhere, and it helps me relax. If I were to start an Etsy shop to sell my finished projects, suddenly a hobby that I enjoy would morph into an obligation, losing all of its power to take me out of my daily life. It’s the same reason why I don’t really do art commissions or write articles for money; when there’s a transaction involved, it just isn’t that fun anymore. When there’s a hard deadline, it’s much easier to stress about it.

Keita gets pummeled in a first person shooter game. Copyright 2017 (c) PINE JAM

I can understand Keita’s reluctance to join Karen’s video game club, in spite of all the potential positives. He likes to game in his room, alone; it’s a form of relaxation after spending all day at school feeling mediocre and isolated from his classmates. Why would he want to place himself among people who play video games for a broader purpose? It would only invite comparisons in which he comes out looking like an aimless doofus.

These are thoughts I never expected to have while watching yet another anime about some hapless high school kid with a crush on a girl who joins a club full of misfits on some grand time-wasting adventure in slice-of-life territory. There are a lot of pieces in this show that seem to defy expectations, and I find that kind of fascinating. In my defense, the promotional image for the series is misleading – it makes it seem as though the protagonist, through some form of dumb luck (or “protagonist syndrome”), gets thrust into a group of girls, creating the potential for a romantic entanglement while the obnoxious male sidekick cracks jokes and acts as wing man throughout. Just in this episode I think we were introduced to at least four total male characters and roughly an equivalent number of young women, taking the ratio pretty far out of harem territory (two of the characters are even already a couple). The assumed romantic relationship between Keita and Karen is already in a very different place; rather than dancing around an awkward attraction, things are already on the rocks and Keita’s denial of her club invitation is even framed as a romantic rejection. Whether this is a setup to turn things back around in twelve episodes is a mystery, but it definitely went against my own expectations.

Keita is too normal for this weird club. Copyright 2017 (c) PINE JAM

There are also several humorous interjections via the on-screen text throughout the episode. They’re kind of self-aware, from the POV of some omniscient narrator, and give some snappy perspective on future developments for the characters. It’s reminiscent of, say, Ouran High School Host Club, with its blinking pointer-finger indicator of the doomed vase in episode 1, or even some live-action films like Scott Pilgrim (which, coincidentally, also deals in video game culture for its aesthetics) that are self-aware and call blatant attention to it via blending of referential special effects. Stuff like this always runs the risk of making media feel too “know-it-all” about its own tropes through overuse, but it’s used sparingly enough here that it doesn’t wear out its welcome.

The episode does fall in line with some expectations, however, especially in regards to the character relationships between boys and girls. There’s still kind of a disappointing lack of sexual awareness that Keita displays towards Karen; there are a few shots of her legs and body from Keita’s point-of-view that follow with him blushing and being unable to get words out of his mouth properly. Attraction turns some of us into disasters, but I have yet to meet a teenage kid who is made into such a mess from seeing an attractive person that their eyes wander around their crush’s body like the cameras in these anime series seem to think they do. Shots like that are one of those tools of the trade that are used as a shortcut, but which could be eliminated with just a minor amount of finesse (and a big dose of respect towards women and their bodies – this is probably the bigger hurdle).

Aside from that, though, I found myself amused by some of the game parodies already featured in the first episode (will there be more? I hope so). Karen’s polite conversation with King Koopa as a result of her delirium from lack of sleep, was surprisingly funny for a show where I didn’t expect there to be a decent comedic element. Video games are part of our shared culture, and as a Gen-X/Millennial cusp baby, I’ve experienced most of the big, important moments as games have grown into their own as an art form. In part, this show (and likely the light novel on which it was based) seems to have some of that same perspective. Even if it never takes on any of that broader cultural analysis (which it definitely doesn’t have to), it’s still fun to see the things that I’m familiar with featured fondly in an entertaining way.

In any case, sometimes hobbies are just distractions, and that’s okay. But even if a beloved hobby never provides the potential for financial compensation and couldn’t necessarily morph into a day job, there could also be a happy medium (like, say, watching anime and having an opinion on it…). Keita might not have a broader purpose to his gaming, and competitiveness might not be something he wants to inject into his hobby. But perhaps there’s a happy medium somewhere, and I’m actually kind of surprised at how interested I am to see how the show handles this proposition.

Pros: The show seems somewhat self-aware about its own tropes, and can be pretty funny about it. The cast is large enough that, while there could be love triangles or whatever, it doesn’t feel like a harem.

Cons: The show is still pessimistic about teenage male sexuality.

Grade: B-

Tags Comedy, Crunchyroll, First Impression, Slice-of-Life, Summer 2017

First Impressions Reviews

Summer 2017 First Impressions – Angel’s 3Piece!/Tenshi no 3P!

Post author By Jessi Silver
Post date August 2, 2017
No Comments on Summer 2017 First Impressions – Angel’s 3Piece!/Tenshi no 3P!

Kyō Nukui is a high school student who tends to skip school due to a trauma in his past. Kyō secretly creates songs using vocal song synthesis software as his hobby. Three girls who just entered fifth grade — the crybaby Jun “Jun-tan” Gotō, the strong-willed Nozomi “Zomi” Momijidani, and the somewhat sleepy Sora “Kū” Kaneshiro who takes life at her own pace — email Kyō. These three girls, who were raised together like sisters since childhood, want Kyō to help them break into music. – ANN

Copyright 2017 (c) Barnum Studio/Project No. 9

Streaming: Crunchyroll

Episodes: 12

Source: Light Novel

Episode 1 Summary: Kyo Nukui is a hikkikomori who, in the spare time he has being home-bound, creates electronic music and posts it online. One day he posts something in a completely different style, posts it under a different pseudonym, and wonders if anyone will know the difference. Later, he receives an incredibly formal email from someone who made the connection between his new work and his older, more well-known stuff, and this person wants to set up a meeting. Mustering all of the sociability he can, Kyo walks to the specified meeting place in a local park. He’s expecting to see someone older, based on the language in the messages, but the author is really an elementary school girl named Jun, who’s incredibly shy. She’s there with her two friends, Zomi and Ku, who were all raised at the same orphanage together. It’s their dream to put on a concert, and the girls certainly have the equipment to do so; the church basement has some great vintage guitars and the gear to go with it. It also turns out that they can sing and play the intruments pretty darned well – and they want Kyo to help them live out their dream of bringing people together through music.

Thoughts: I was driving to work recently, and was stuck in pretty heavy traffic. Someone a few cars in front of me stopped suddenly, causing a chain reaction where all subsequent vehicles, including myself, had to react in seconds. I braked hard, and hoped beyond all hope that the person behind me would notice in time to stop before ramming my tiny Mazda and turning it into scrap metal. Time seemed to slow down as I watched the (much larger) SUV pull up behind me way too quickly, as I pumped my brakes in hopes of signaling them somehow. Luckily, they were able to stop; I could hear the honking and engine noises once again and I was drawn out of my panic, and we were soon on our way down the entrance ramp towards the city.

Kyo is sad and isolated. Copyright 2017 (c) Barnum/Project No. 9

My story had a happy ending; oftentimes, however, you can see a car wreck about to happen, and there’s literally nothing you can do about it.

This episode starts of by fooling you into thinking that perhaps the underage girls in the promo images aren’t a huge part of the show. The opening scenes are focused on the main character’s anxiety and depression and the outlet that he has in making music. Anime doesn’t have a great track record in portraying mental illness, but these first few moments didn’t raise a lot of red flags to me in that regard, and I was willing to entertain the possibility that it could be better-than-mediocre somehow. With the introduction of the three fifth-graders, I was starting to see distant brake lights, as if something terrible had happened just over the next hill. I was concerned by their blushing cheeks, the weird shots of their too-shiny knees and ankles, and their infantile voice, not to mention their glistening, pouty lips. Maybe the colorists just wanted to go all-out and add in a bunch of details?

Then Toonces just drove the damn car straight off the cliff.

One of the last lines of the episode is Nozomi (the dark-haired girl), in exchange for Kyo helping the three orphans put on their concert, offering to let him touch her – just a little bit. I was actually just thinking to myself that it had been kind of a long time since I’d seen anything in anime that was truly vile and reprehensible; It seemed like, back when I was writing more consistently, that there were several anime series every single season that banked on pushing boundaries in regards to good taste. I actually blame the existence of those series for my current feelings about fanservice – I’m continually annoyed, but also find myself saying “well, at least it’s not as bad as [fill in the blank]” and I’ve ended up giving a pass to things that I may not have in a different time or place in my life. In any case, that’s one of the consequences of becoming hardened and complacent as a fan of a medium that can be highly problematic – suddenly you’re blindsided by someone’s bad idea that’s so completely out of line that you wonder how it could have gotten produced.

Yay, I feel horrible for having watched this! Copyright 2017 (c) Barnum/Project No. 9

This show is based on a light novel, that some people ostensibly read at some point. Some people read this novel and thought “hey, this concept seems entertaining. I bet a lot of people would like to see an anime adaptation about this high school guy that hangs out with little girls, and then they’ll surely laugh about their precocious sexuality.” I bet a production committee was gathered, and some music executive was slavering at the mouth, thinking about which voice actresses or idols on their roster would be a good fit to sing the band’s songs and portray the little elementary school girls that people would be inclined to have the hots for. An art designer, a character designer, several animators, and all sorts of staff were hired, and worked long, grueling hours for very little pay to bring to fruition an anime where a little girl implores a high school guy to feel her up.

There were probably dozens of people who had to sign off on something to get this made, and dozens more that poured their energies into its creation. If there’s one thing that Shirobako taught me it’s that really good, talented people sometimes make their money producing things that don’t have much artistic merit. Heck, the music scenes in the show are actually animated pretty well and might be fun to watch if the camera weren’t lingering on the girls’ legs, thighs, and mouths. I don’t want to dishonor the hard work that was put into the show by blaming the staff for the sins of the creators. And, to be honest, this isn’t nearly the most objectionable thing I’ve ever watched in my life. But I will say this – certain things just really rub me the wrong way, and making childlike characters into potential sex objects is one of them. Whether or not the episode’s final line was a misunderstood joke, something that will be explained away in episode 2, or something that will never come up again, it’s colored the experience for me in an irreparable way. I imagine that many of my readers might have the same experience. It’s been a while since I’ve had to do this, but I’ve dusted this old thing off for the occasion:

Now I can put this to rest and hopefully move on to something I’ll feel better about.

Pros: I wish I could think of something snarky to put here, but I’ve run dry.

Cons: Oh, I don’t know, it sexualizes little girls?

Grade: NO

Tags Comedy, Crunchyroll, First Impression, Slice-of-Life, Summer 2017

First Impressions Reviews

Summer 2017 First Impressions – Vatican Miracle Examiner

Post author By Jessi Silver
Post date July 30, 2017
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To detect lies, refuse fakes, and reach the miracle of God – that is their mission as Vatican Miracle Examiners. Hiraga, a scientific genius and Roberto, an expert on the decryption of cryptography and ancient documents are not only good partners but also “Miracle Examiners” working for the Vatican. They are secret examiners, who are requested to examine and identify the authenticity of miracles from all over the world. – ANN

Streaming: Amazon Anime Strike

Episodes: 12

Source: Light Novel

Episode 1 Summary: Hiraga and Roberto are Vatican priests with a very important job – when claims of miraculous events are reported, they travel around the world to investigate their veracity. Having just received word of a virgin impregnation, the two hop a plane to Mexico in order to examine all the evidence. Before they leave, though, they’re warned that they may meet with the Devil himself once they’ve arrived. The two enter the grounds of Saint Rosario church, which has an attached boys’ boarding school and a hospital that seems strangely well-equipped. They speak with the pregnant nun in question, who doesn’t seem to be lying and who greets them sporting stigmata, but Hiraga (the more scientific of the two) seems unconvinced. There’s also kind of an odd, unsettling atmosphere hanging over the estate, and as night falls the two suspect that word of the Devil’s presence might have been more than just a faint warning. Late at night a security guard comes upon the body of one of the priests, bloodied and sprawled across a pentagram on the ground. Murmurs of students playing at devil worship begin to rumble a little bit harder, just as a statue of the Virgin Mary in the chapel begins to shed tears.

Impressions: Oh anime, forever attempting to combine religious iconography with animated entertainment. I’m kind of kidding on that point, as this series seems to at least make a play at portraying some aspects of Catholicism in a way more accurate than many others (see Hellsing or Crono Crusade for some great examples of ham-fisted pasted-on Western religion). As the setup for a horror-mystery series, well, there are worse out there. But there’s something about this episode and the overall feeling it establishes that seems a little bit “off” to me.

The examiners pray in the chapel at Saint Rosario Church. Copyright 2017 (c) J.C. Staff

Though you’d be hard-pressed to find a whole lot of concrete evidence in this first episode, it has a very odd, pervasive sense of violent sexuality to it that rubs me the wrong way. This is possibly my mistake, but I’d sort of assumed before watching the show that the two male leads were supposed to be some kind of low-key yaoi bait; there’s obvious potential to frame up something that’s taboo and exciting between two attractive male priests. The first episode makes kind of a weak play at this sort of thing, with a shower scene in which Hiraga goes over his personal internal struggle while nude under the running water, and Roberto does domestic duties in the sitting room, ironing his companions clothing before they both go to meet their head priest for their assignment. There’s a lot of relationship coding, but absolutely zero chemistry between the two characters. I was left feeling kind of puzzled. It’s certainly not a requirement to feed shippers, and in fact I felt a little bit guilty going in with that kind of assumption. But on the other hand, why the weird fanservice? It left me feeling disoriented, like I couldn’t quite nail down the tone.

There are some other offhand comments and some actions that occur briefly that speak to kind of an unsettling view of sexuality. I was really getting uncomfortable when the protagonists and the related side characters started to get into the nitty-gritty regarding the nun’s pregnancy. The reference to her hymen (which isn’t examined on screen, but was apparently looked-at by someone at some point to verify her physical virginity) and the kind of faint suggestion of how she may have become impregnated (there’s literally no direct evidence, but I interpreted a few cues to mean that there may have been student involvement) made me really uncomfortable, and I would venture a guess that some people might even find themselves triggered by the entire situation. It should be news to no one that the religious view of women’s sexuality isn’t that great, but to dive right into it with episode 1 was something I wasn’t really prepared for.

Oh, and there’s also a bizarre and completely incongruous split-second scene of a nun suggestively and violently biting into a juicy sausage at the dinner table. I rewound the video a couple of times to try to see if there was some context for it, and other than just the overall creepy atmosphere, it doesn’t seem to be related to much of anything. She’s briefly introduced earlier in the episode and immediately reads as “sexy” and “probably not actually a nun,” but beyond that prepare yourself for a laugh and a great opportunity for a screen capture.

Dial “1-800-SATAN-66” to speak to the dark lord. Copyright 2017 (c) J.C. Staff

There are also some situations that came across as being (probably unintentionally) funny. For example, the episode begins with a group of cloaked figures performing a ritual around something that looks similar to any off-brand Ouija board you might find at a game shop. For a show that honestly seems a little bit in love with itself with its richly-depicted scenes of Vatican City and such, to represent occultism and Satan worship in such a cartoonish way just made me laugh. Next time they’ll be trying to find the name of Carlos’ crush or how many kids Steven will have, right after they bloody up another priest as sacrifice to Satan’s will.

One thing I did really like about this episode is the music that was chosen. The use of choral songs for many of the scenes that take place in religious houses of worship or similar environments is overbearing but very pretty in its own way, and gives a good feel for the looming presence of God wherever seems appropriate. As the priests arrive in Mexico, there’s also some pleasant Central/South American flute music to accompany them to their destination. Like the rest of the show itself, it’s sort of corny, sort of cheesy, and sort of try-hard, but I thought it worked well against how over-the-top some of the other content was.

Ah yes, I can see so much more with my monocle. Copyright 2017 (c) J.C. Staff

If I had to choose a word to describe how the first episode presents itself, I’d have to choose something like “goofy.” The characters are so serious that I can’t take them seriously, if that makes sense. Hiraga’s sad situation, as a scientist and a man of God who just knows there’s a way to save his younger brother from whatever kind of horrible bone cancer is plaguing him, is just over-the-top; it doesn’t really build sympathy so much as it paints him as kind of a madman with a penchant for playing made-up games with himself. Roberto seems like kind of a nothing person, serious and more fatherly but without even a strong backstory to distinguish him from others. Other than that, the flying rose petals that accompany the characters’ stigmata, as well as the over-the-top acting and really obvious use of color, shadow, light, and darkness, paints this as campy rather than serious. Not necessarily a bad thing so much as something I wasn’t really looking for.

With so few series starring adult characters, I had some hopes that this show might provide a more mature supernatural series to compliment all those that are focused on teens. I should probably know better that, just because an anime stars grown-ups, doesn’t mean that it’s made for grown-ups. This one might just be a little too weird for me to enjoy.

Pros: The soundtrack does a lot to create the proper atmosphere, at least in some situations.

Cons: The overall atmosphere seems in conflict with itself. There’s some weird-but-not-surprising treatment of women’s sexuality.

Grade: C-

Tags Action, Anime Strike, Fantasy, First Impression, Summer 2017

First Impressions Reviews

Summer 2017 First Impressions – Action Heroine Cheer Fruits

Post author By Jessi Silver
Post date July 30, 2017
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The “local heroine fighter” of a certain city became popular and a national star. Because of this, “local heroines” debuted in various other places, and their action live events became a hit trend nationally. In Hinano City, high school girl Misaki Shirogane and other girls become local heroines (at the urging of Misaki’s aunt, the prefectural governor) and vow to produce action live events. – ANN

Streaming: HIDIVE

Episodes: TBA

Source: Original

Episode 1 Summary: Mikan Kise and her sister are huge fans of Kamidaio, a city heroine who’s gone on to be famous across Japan. Nowadays there are many cities who utilize these mascot heroines to promote tourism in their area, but Kamidaio is by far the most famous. Now she’s slated to come to Mikan’s hometown of Hinano during the local Sakura Festival, and she’s definitely not going to miss this chance. The day of the anticipated performance, however, brings bad news; some sort of scheduling incompetence on the part of the organizers means that the Kamidaio show is canceled without any further explanation, and Mikan’s sister is heartbroken. Mikan makes a hasty promise to bring Kamidaio’s show back to the city in a week, but she’s not quite sure how she’ll accomplish such a thing. The answer lies in fellow student An Akagi, a former rhythmic gymnast and unabashed Kamidaio fan who seems game to put together a rollicking hero show for the local kids. Mikan and An work all week, practicing stunts, building costumes, and choreographing the show. At first the audience seems highly unimpressed, but eventually get caught up in the spirit of the show. After the home-made production gets put online, the girls get an unexpected call from Misaki Shirogane, student council president at their school and action heroine enthusiast. She’d like to help give Hinano City its own action heroines – and wants Mikan and An on board.

Impressions: Action Heroine Cheer Fruits is fun surprise wrapped in an initially unappealing package. Part “working women” tale a-la Sakura Quest or Shirobako, and part tokusatsu show, the premise sounds pretty ridiculous on paper. It seems sort of as though the creators wanted to take advantage of the popularity of idol group anime like the ultra-successful Love-Live! and sprinkle in a bit of something creative to set it apart. The resulting production ultimately seems much less commercial and a great deal more kind-hearted than I would have expected.

Mikan and An have a fateful crash in the school hallway. Copyright 2017 (c) diomedea

The first episode introduces a couple of different relationships that I assume will probably maintain some degree of importance throughout the series. The first is the sibling relationship between Mikan and her younger sister. Mikan seems to go beyond simply caring for her younger sister out of sisterly obligation; she seems genuinely concerned with Yuzuka’s happiness and well-being. She’s heartbroken when the Kamidaio show doesn’t happen, not so much because she missed it, but because Yuzuka was looking forward to it so wholeheartedly. While the characters themselves are pretty typical for an ensemble series, the way that their relationship is portrayed adds an extra dimension of kindness, which I really liked.

The other important relationship is the one that develops between Mikan and An. They might be fellow students at the same school, but they’ve never really interacted with one-another aside from knowing each-other’s name and crashing into one-another in the hallway between classes, as this episode demonstrates. But as two people with different personalities, they seem fated by the anime-writing gods to mesh well in a team setting and build upon each-other’s strengths. Mikan brings the kindness, An brings the spunkiness athleticism, and together they create a winning combination. Again, on paper this all seems pretty obvious and neither character feels very fleshed-out yet (and with a promo pic crammed full of several other girls I feel like full-on characterization might not be this show’s forte, in the end), but I like how the conflict between the two is kept pretty minor and their interactions quickly turn into something very harmonious. I think it speaks well for the show so far that there’s not a lot of time spent with the characters trying to struggle and assert their big personalities; with such a goofy title and premise, I think it’s imperative that at least some facets work well from the get-go in order to keep the audience engaged.

It’s a fighting montage (montage!). Copyright 2017 (c) diomedea

It’s fortuitous that the show wastes no time cultivating a fun atmosphere and making us all feel good, because there are some other technical areas where it’s definitely not as accomplished. The production house, diomedea, has been involved in a long list of animation projects, but mostly as an in-between studio. Of the few times it’s served as the headlining animation production studio, I’m only really familiar with The Lost Village (which was much better than most people gave it credit for; I will fight you) and Girlish Number, which I’ve watched more recently. The latter seemed particularly well-planned, and it probably had to have been; in order to portray the main character’s sour face and attitude, as well as the parody-style industry bits and the so-bad-it’s-good anime series the characters are a part of, it takes some good animation chops. This show already has more of an action-focus than either of those previous series, but the production values and animation consistency already seem kind of middling. There’s a lack of dynamic movement, as well as a few quality control problems with character animation in some of the slower-moving moments. The show seems a bit washed-out most of the time, too. Part of me tends to think that anime original series are where production studios tend to shine, even if they might often be vanity projects; in this case it doesn’t appear that that rings true.

Something worth mentioning, in the grand tradition of reviews on this website; due to the type of action being portrayed and the environment in which the characters are practicing their moves, there are a couple of up-skirt shots with underwear. I tend to think they were more incidental than anything else, but I also believe they’re always a choice in animation since someone made a storyboard and then someone else had to draw the frames. In a show where the characters read as being younger, I found it a little bit startling. Why choose to show underage girls in their underwear (or in the bath tub, hot springs, etc.) when you could choose to not show underage girls in compromising positions and potentially irritate fewer viewers? That has always been my question (and please don’t answer it for me, I realize there’s this notion that you “have to” include fanservice to love-bomb viewers into watching your show – I don’t subscribe to it).

Criticisms aside, I left this episode with a really warm feeling. I love being pleasantly surprised by an anime about which I had only very basic expectations; often times anticipated shows turn out to be duds, so it’s nice when it goes the other way! I think the show has a lot of heart and I always like the idea of girls banding together to accomplish some sort of goal, even if it’s kind of a silly one. This might be a good option for folks who enjoy magical girls, but are not as huge of fans of the “dark magical girl” trope that’s taken over in recent years. It seems very focused on its feel-good atmosphere and presenting the ideals of teamwork within a plot that’s a little bit silly, but considering Japan’s penchant for anime-related tourism, not entirely out of the realm of possibility.

Pros: The first episode is kind-hearted and feel-good; the conflicts are minor and reasonable to overcome. The character relationships are warm.

Cons: The production values are a little bit off. There are a couple of underwear shots that are made more distracting by how young the characters look.

Grade: B

Tags Action, Comedy, First Impression, HIDIVE, Summer 2017

First Impressions Reviews

Summer 2017 First Impressions – A Centaur’s Life/Centaur no Nayami

Post author By Jessi Silver
Post date July 26, 2017
2 Comments on Summer 2017 First Impressions – A Centaur’s Life/Centaur no Nayami

Himeno is a sweet, shy little centaur girl. In her world, everyone seems to be a supernatural creature, and all her classmates have some kind of horns, wings, tails, halos, or other visible supernatural body part. Despite their supernatural elements, Himeno and her best friends, Nozomi and Kyouko, have a fun and mostly normal daily school life! – MAL

Copyright 2017 (c) Emon Animation Company

Streaming: Crunchyroll

Episodes: 12

Source: Manga

Episode 1 Summary: Himeno, Nozomi, and Kyouko are your normal, everyday high school students. In their world, however, “normal” means sporting some kind of super-human marker, whether that be animal ears and tails, extra limbs, wings, or other fantastic traits. Evolution took a vastly different course in this universe, and six-legged mammals eventually evolved into the variable humanoid sub-species that we might consider mythological. That said, Hime and her friends lead an especially average life, concerned with the things that might take up any student’s time and energy, like gym class or being in the class play during recital week. Of course, this present day scenario is downright idyllic compared to the atrocities and discrimination of the past, where centaurs were used as slave labor or were thrust into caste-like roles in society. But everything nowadays is fair and equal… or is it?

Impressions: I had every expectation that this show would be a silly, frothy, potentially (too?) fanservicey slice-of-life with some monster girls thrown in for flavor. What I didn’t expect was for there to be even the slightest suggestion of an unsettling backdrop to the story. While this isn’t an unwelcome variation on the theme, I’m concerned that the theme of the series might turn out to be a little bit too unsavory for my tastes.

Himeno and Nozomi kiss during practice for the class play. Copyright 2017 (c) Emon Animation Company

The first half of this episode is devoted to a story event already in progress. The students are putting on a romantic short play, and Himeno is tapped to play the princess. The gag is that this has been the role she’s played since she was in kindergarten, possibly due to a pun on her name (the “Hime” in “Himeno” meaning “princess”), but more than likely due to her good looks and delicate personality. There’s a vaguely comedic mix up when a male student tries to position himself in the role of the prince but is found out and one of Hime’s female friends gets the role instead (allowing for a girl-girl smooch that seems perfectly aimed at a presumed straight male audience hankering for some yuri action), as well as a moment of tension when the set piece upon which Hime stands collapses under her weight (she is half horse, after all). It’s mostly kind of goofy and dumb, and serves mostly to introduce the main characters and make a few jokes at the expense of the titular centaur.

The second half of the episode, though, has a much more sinister undercurrent. In science class, the characters learn about human evolution from their teacher. All the humanoid variants in their world are the result of fish that evolved to have six fins, which began mammals with six legs, and eventually humans with several different varieties of additional limbs, horns, tails, and other accouterments. Much like our own society, these various differences had the effect of causing discord and discrimination among the different tribes. This is all mildly interesting, and even sort of funny in that the assertion is made that four-limbed humans would only have been different in their skin color rather than their overall body composition, from which no sort of discrimination could possibly have resulted. Perhaps the creepiest part of this whole line of exposition occurs while two very shady individuals monitor the classroom from outside the door. Their faces are mostly hidden but they appear to be listening intently to what the teacher is saying. The line she speaks seems perfectly rehearsed; she proclaims that equality is ultimately more important than anything else, including civil rights. Barring the fact that those two things are pretty darned related, in my opinion, the entire scene feels like some sort of bizarre authoritarian propaganda report. And the creepy men outside the door seem pretty pleased by it.

Big Brother is watching. Copyright 2017 (c) Emon Animation Company

It’s difficult to know exactly how these statements are meant to come across. I interpret them as indicative of some kind of extremely subtle dystopian society, where personal freedoms have been traded for peace and control, and that unsettles me. I’m not sure if the creator is making these statements to criticize moves to legislate equality, as have been done via various civil rights acts in real life (to varying degrees of actual success); while I might interpret these laws as meant to protect marginalized groups via the (imperfect) legal system, others (wrongfully) might think that they’re being instituted to give some people “special treatment” (ugh). It could also be a statement about the harm that’s done when we’re made to think of everyone’s experiences as being the same, when in fact they’re very different based on a number of factors. There’s a large chance that I’m overthinking a small aspect of an otherwise goofy show, but I think there’s also the potential that the show is making an attempt to be political, and I have the feeling if it goes that route it’s going to be really ham-handed about it.

A third potential interpretation, though, might not end up too bad. The creator could have set the story anywhere, but chose to use a high school as the backdrop for the story. We always hear about how the Japanese school system trains students in conformity and emphasizes sameness and group-think in order to maintain harmony. Knowing even what little we already know about what’s going on in the background of this society, that setup sounds kind of familiar, no? There are already tons of anime, manga, and films that criticize this type of school environment, so it’s definitely not the first (and probably not the best, either). But it does result in kind of an interesting variation on “cute girls with animal ears doing stuff,” so that’s a plus.

The show wastes no time getting to the yuri bait. Copyright 2017 (c) Emon Animation Company

Of course, there’s still a hefty dose of “cute girls with animal ears doing stuff,” for good or ill. There are some errant panty shots, a few suggestive yuri situations (basically the first shot of the show is two girls kissing each-other on the lips… but it’s okay because they’re in a play together), and lots of “girl talk” that feels pretty manufactured and occasionally needlessly voyeuristic about body functions. I’m sure we all have questions about how centaurs wipe their butts after going to the bathroom, but I don’t need a fantasy anime series to go into detail about those things when I just want to watch something dumb and silly. The up side, though, is that the characters are actually pretty cute. Somehow Himeno seems delicate despite being three times the size of her friends, and that in itself is amusing.

The character designs are cute, but the animation quality is mostly just serviceable. This is another Chinese partnership anime, and while this one in particular doesn’t feel like it was transported straight from the late 1990’s, I feel sad that seeing a Chinese hand in the production still seems to mean that the show is lacking in quality control somewhere or that the show isn’t given the resources and the time it might deserve. Then again, there are plenty of Japanese (and American) shows with similar issues, so perhaps picking on China in particular is wrongheaded of me.

This show isn’t life-changing and I don’t think it’s that “holy grail” monster girl anime that I’ve been wishing for ever since Monster Musume turned out to be a horny sex-fest of uncomfortable proportions. But if A Centaur’s Life devotes some time to the issues of its broader society (I’m not sure how much the manga goes into it, either), I think it could be kind of interesting in spite of its various issues.

Pros: The story might have more depth than originally indicated. The characters are pretty cute.

Cons: There’s some fanservice that doesn’t sit well with me and seems like yuri bait. The overall visual quality isn’t great. It’s hard to say if the setting and authoritarian rules might be suggesting something worse than “the Japanese school system sucks.”

Grade: B-

Tags Crunchyroll, Fantasy, First Impression, Slice-of-Life, Summer 2017

First Impressions Reviews

Summer 2017 First Impressions – Made in Abyss

Post author By Jessi Silver
Post date July 23, 2017
No Comments on Summer 2017 First Impressions – Made in Abyss

An enormous pit and cave system called the “Abyss” is the only unexplored place in the world. Strange and wonderful creatures reside in its depths, and it is full of precious relics that current humans are unable to make. The mysteries of the Abyss fascinate humans, and they head down to explore. The adventurers who venture into pit are known as “Cave Raiders.” A little orphan girl named Rico lives in the town of Ōsu on the edge of the Abyss. Her dream is to become a Cave Raider like her mother and solve the mysteries of the cave system. One day, Rico starts exploring the caves and discovers a robot who resembles a human boy. – ANN

Streaming: Amazon Anime Strike

Episodes: 13

Source: Manga

Episode 1 Summary: 1900 years ago, a remote island surrounding a seemingly bottomless pit was discovered. As the world’s last truly unexplored phenomenon, the “Abyss” as it came to be known beckoned explorers and relic hunters alike into its depths. Some unlucky travelers entered, never to be heard from again. Riko is the daughter of one such adventurer, and she and her friends Nat and Shiggy live at an orphanage where they and their ilk are trained in the dangerous art of cave raiding for various relics in the Abyss. Their lives are harsh and occasionally frightening, as their lot is exploited as cheap labor. One day on their first excursion without adult guidance, Riko and Nat are attacked by one of the Abyss’s many terrifying creatures. Riko is saved by a mysterious and powerful shot from the hand of an unconscious robot boy. Riko is ecstatic to have found such a treasure, and drags the boy back to the orphanage. The robot can’t remember his name or where he came from, so Riko assumes that he must be from deep within the Abyss, a place where incomprehensible relics are said to be ubiquitous. Though this excites her imagination, for right now all she wants to do is keep Reg (her name for her robot friend) a secret from the authorities.

Impressions: I’ve actually been delaying watching this episode – not because I suspected that it might be bad, but that I’ve been looking forward to it so much and I wanted to give myself a chance to cool down and take it in properly. As with almost anything I’ve ever watched, I do have a few misgivings, but besides that this has absolutely one of the most impressive first episodes I’ve watched so far this season.

Riko goes looking for valuable artifacts. Copyright 2017 (c) Kinema Citrus

Looks certainly aren’t everything, but in this case they’re one of the first things one notices once the episode starts to play. The anime wastes no time in establishing a strong sense of place. The idea of a bottomless pit is intriguing and horrifying and everything in between; As Riko and her companions descend a mere(!) 100 meters down at the outset, we’re given an appropriate taste of both aspects via the background environment and the strange creatures flying through the air. The cliffsides are lush with strange flora, the sun penetrating enough to give us a look at the various plants and rock formations. As Riko uncovers an old cave system there’s a palpable sense of age and mustiness as she breaks through rock walls and discovers strange objects and even old human remains dressed in unfamiliar clothing. The visuals tell a story on their own, about ancient peoples who may have lived in this strange environment and the tools that they used to survive. It also begins to raise question thus far unspoken – why did they die out, and is this an ongoing threat?

As Riko and Nat haul Reg’s unconscious body up from the area that they were exploring, the visual montage of the various parts of town, precariously balanced around the empty blackness of the Abyss, is fascinating. It feels like something out of a film with a much higher budget, and there was clearly a lot of purposeful design and framing in creating the first impressions of this environment. I’m reminded a bit of Xam’d: Lost Memories, an anime with a similar kind of cinematic style and extremely distinct visual presentation and feel to it. Xam’d had a lot of very strong fantasy elements, as well as a profound undercurrent of body-horror that made for a very intriguing watch; I’m already getting the impression that this series might tend towards the same direction.

Riko is suddenly under attack. Copyright 2017 (c) Kinema Citrus

While it would be easy to be fooled (and maybe even put-off) by the cutesy character designs, there are enough clues in this first episode to indicate that this show has the potential to skew really dark. There are several offhand references to forms of punishment in which offenders are “strung-up naked” for their offenses. It’s actually sort of easy to miss this since they’re offhand comments spoken by Riko in a comedically frantic way when it appears as if she’s about to get into trouble. I’ve heard online from readers of the manga that the source material has the tendency to be dark and horrifying; while my search for specifics around the web came up mostly fruitless, I don’t doubt that these comments in the anime are without basis. This might be enough to give a lot of people misgivings, especially since most of the characters introduced so far are really young, and bad things happening to young people makes them seem doubly-terrible in most cases. To be blunt, I have zero desire to see any character, especially a kid get strung up naked in the town square, and if that’s where this is all going it would probably be enough for me to drop it no matter how great the rest of the show might be.

What I’m hoping, though, is that the darkness of the narrative is more reliant on the terrifying unknown of what lives down the rabbit hole. It’s easy to see why the Abyss would be such a tempting mystery; I think there’s something romantic about an unexplored piece of the world, and it’s just so easy to identify with the characters because as a viewer I’m just so curious to know what’s waiting down there. It goes far beyond wanting to conquer nature or claim more land for this or that nation; knowing that there were people there once, and that they made and built and created things that still survive in some form, is almost magical in a way. The fact that one episode of the anime has the ability to create and cultivate that sense of wonder is truly an accomplishment.

Reg hides out so Riko can get in less trouble. Copyright 2017 (c) Kinema Citrus

Animation-wise, there are some great moments in this episode. I’ll leave the specific technical commentary to the pros at Sakuga Blog, but to my untrained eye this episode is propped up both by its expressive character movement and the otherworldly-horrifying creature designs, of which the most interesting is probably the giant flying worm that nearly eats Nat and Riko during their excursion. There’s something especially terrifying about it, which is effectively conveyed through the very different animation style used to bring it to life; the splotchy ill-defined nature of the beast gives the impression that it’s almost too terrifying to look at and see clearly, which is fitting given the circumstances. I’m interested to see what other horrors of nature show up to give our characters trouble later on.

I haven’t spoken about it yet, but I thought I might mention a little bit about the Amazon Prime/Anime Strike viewing experience, since I’ve read some other comments online about it. I’ve heard tell of some issues people have been having with ill-timed subtitles, and that hasn’t been the case in my experience (it might have something to do with individual computer set ups, but that’s not my area of specialty). What is kind of quirky, though, is that I had to actually turn the English subtitles on manually. I think in the case of other video services I’ve used, living in a primarily English-speaking region while watching material in a language other than English has meant that the subtitles would appear automatically but could be turned off. I did have a bit of an issue with video quality, which has been my experience with Amazon Video even outside their Anime Strike channel. When the video starts, the stream is initially in kind of a low quality standard-def size, which is pretty pixelated. It then takes a while (probably less than a minute, truthfully) for it to adjust to HD quality. I have pretty fast cable internet service and live close to a major city, so the reason why some services are still struggling with this (I’ve had this happen with Netflix as well) is somewhat irritating. Otherwise the experience isn’t nearly as bad as some would make it out to be, but it’s still irritating to have to pay extra to add the Anime Strike channel when I already pay for Amazon Prime in the first place.

Video service issues aside, I’m digging this series a lot based on the first episode. I love the air of mystery it’s cultivated so far, and I’m anxious to find out what sort of path the story might take going forward. While I have some misgivings about just how far the violence or other horrific material might go based on the related internet chatter, for now I think I’ll just hope that the anime can maintain the tone while maybe leaving some things to the imagination. I think this is going to be a really striking, unique, and satisfying ride.

Pros: The episode quickly establishes a great sense of place. There are some great visuals, from the background artwork to the character and creature animation. The setting is mysterious and intriguing.

Cons: Signs indicate dark skies ahead – including content that might be objectionable to some, especially since the characters are young.

Grade: A-

Tags Action, Anime Strike, Drama, Fantasy, Seinen, Summer 2017

First Impressions Reviews

Summer 2017 First Impressions – Clean Freak! Aoyama-kun/Keppeki Danshi! Aoyama-kun

Post author By Jessi Silver
Post date July 23, 2017
No Comments on Summer 2017 First Impressions – Clean Freak! Aoyama-kun/Keppeki Danshi! Aoyama-kun

The handsome young soccer genius named Aoyama is a Japan representative. His play style is “cleanliness.” He doesn’t tackle and doesn’t head the ball. If he’s doing a throw-in, he’ll only do it if he’s wearing gloves. – ANN

Streaming: Crunchyroll

Episodes: 12

Source: Manga

Episode 1 Summary: Aoyama is the star soccer player on his high school team. This is in spite of (or perhaps actually because of) his germophobia. He won’t touch a dirty soccer ball, he won’t get his clothing dirty, and he won’t do anything that causes him to come into physical contact with other players, including his teammates. This drives his teammate Zaizen up the wall, since he thinks that everyone else is much too accommodating to Aoyama-kun’s needs. The thing is, though, that everyone else seems to admire Aoyama’s cleanliness, and they sure as heck think he’s the best player at their school. Even members of rival high schools keep trying to poach Aoyama-kun away. After Aoyama leads the team to victory in a game against a clearly better school, Zaizen starts to gain a grudging respect towards his unusual teammate.

Impressions: This episode is a great example of a premise that could have resulted in something really terrible, but which managed to avoid becoming terribad and instead settled comfortably into being slightly above average with some hit-or-miss comedy for flavor.

Aoyama goes for the goal. Copyright 2017 (c) Studio Hibari

Speaking as someone with a history of mental illness (though of a different style than featured here), I wasn’t looking forward to watching an anime try to feature a character who seems to be someone living with one. Anime, like other forms of media, has a very spotty track record when portraying mental illness, and more often than not it serves as the punchline to a joke. For every show like Trapeze which to my memory seemed to get a lot of the emotional side of mental illness right (despite being a comedy), there are several more like Welcome to the NHK that mix up “profound social anxiety” with “hapless otaku maladjustment” and end up becoming insulting in the process. It’s a difficult thing to get quite right and there’s a feeling of glaring falseness that’s there when it’s wrong. So you can imagine how low my expectations for this anime were, knowing nothing much beyond its premise. Surprisingly, though, I’d qualify this attempt as “pretty okay,” which might not sound like high praise but which I think does a good job of capturing the fact that the show is decent without a lot of major screw-ups.

The first episode’s point-of-view character is Zaizen, who shortly becomes very frustrated by the fact that Aoyama seems to require so many special accommodations and his classmates and fellow team members seem unruffled by this and are even willing and able to deal with them without pulling their hair out. I think that Zaizen, despite being a pretty outspoken jerk throughout the episode, is use well throughout. Though I tend to stick with people online and in real life who understand the need to celebrate diversity, including neuro-diversity, I think there are many other people who are unfortunately not in the frame of mind to give others what they think of as “special treatment,” and showing Zaizen having that kind of reaction acknowledges that. That said, the point is that Zaizen isn’t shown a lot of sympathy, and in fact there are several people who try to get him to adjust his attitude by showing Aoyama’s good points as a player and a person – he’s an excellent soccer player with an incredibly accurate and focused playing style that’s the direct result of his needs as a player, after all. I think by the end of the first episode we’re all on board with who Aoyama-kun is.

Zaizen watches Aoyama’s post-game cleaning of the soccer balls. Copyright 2017 (c) Studio Hibari

One downside to this setup, though, is that Aoyama doesn’t get much of an opportunity to speak for himself. We’re positioned as outside observers who learn about Aoyama through the eyes of the people who know him. There are the gaggle of girls who have crushes on him because of his spotlessly clean hands (when in fact, all the hand washing would probably be more painful than anything else, but I suppose there has to be some element of fantasy), the other players and team manager who seem to be admirers rather than close friends with Aoyama, as well as the rival school members who know all about Aoyama’s skill on the field, but not really anything else about the way he operates as a person. It may be too much to ask for a comedic series to provide a lot of deep insight into a character, let alone from their own perspective. But that doesn’t make we want to stop asking for it.

Something I made note of while watching this episode was the fact that it exists somewhere in between a straight sports anime and a true gag series, and the juxtaposition of the two without a strong focus on either is actually a little bit disorienting. One shared trait of many of the best sports anime I’ve watched is that they do a good job of being funny while also portraying the seriousness and intensity of the sport. Hinata and Kageyama of Haikyu!! are quite the odd couple, and the comedic tension that arises due to their opposing personalities is really entertaining. But the show is also great at portraying exciting volleyball action and knows when to forgo the humor and bring that to the forefront. Clean Freak! Aoyama-kun seems to be just slightly uncomfortable focusing too much energy on exploring either side of the equation; there are a couple of good visual gags (Aoyama cleaning his classroom window got a chuckle out of me) and some heartfelt moments, like Aoyama working on the soccer balls after the game, I didn’t get the impression that the show was really committed to either piece. Unfortunately, I didn’t feel like the first episode left much of an impact (aside from a repeating gag focused on a rival character’s abs – many people might find this kind of non-sequitur obnoxious, but it’s honestly so stupid that I actually laughed every time the character appeared with his shirt pulled up).

Aoyama is admired by his team’s manager. Copyright 2017 (c) Studio Hibari

Thankfully, the anime does seem to have a stronger visual style than its blander storytelling might suggest. During goofier moments, the characters do switch into kind of a funny “chibi” mode that, while not lending a lot of extra strength to the humor, does at least notify the viewer when things are meant to be comical. This is sort of a classic technique that might feel a little bit overbearing to some, but I found it kind of cute. The animation is fairly serviceable when portraying the sports action as well; the opening scene where Aoyama scores an important goal during the All-Japan championship is really well-done, as is the match that caps this episode and proves Aoyama’s prowess as a player (and his ability to be less-stringent about cleanliness depending on how far into the match he is – sometimes a little mud is tolerable, as long as it’s less than five minutes to the end of the game). The lines are clean (har har) and the animation is consistent throughout this opener.

Ultimately I don’t know if this show will satisfy sports anime enthusiasts or fans of comedy anime, but it does have the distinction of being significantly less offensive to me as someone with mental health issues than I would have expected, and its heart seems to be roughly in the right place, so that might be a decent starting place.

Pros: The animation serves its purpose well. The premise could have skewed in a much more offensive direction, but instead the bulk of the characters seem to be supportive of Aoyama’s needs.

Cons: The comedy and sports aspects seem to be at odds with one-another. That guy’s abs are like their own character.

Grade: B-

Tags Comedy, Crunchyroll, First Impression, Sports, Summer 2017